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Sure, my baby Sadie loves her ten fingers and her ten toes
But there’s more to kids lit than beautiful poetry and adorable pictures.
While I love many of these books
And read them again and again
I will not write one.
I write quirky.
I write high imagination.
I write strong wills.
And I write about The Nitty Gritty.
I’m talking about those stand-offs with your three-year-old about something you can’t even recall because you’re so furious you want to get in your car and drive backwards in time but you can’t
so you have to figure out how to calm yourself down before you can boss your kid about calming down.
About the horrifying meltdown at a playdate gone bad.
About your sweet beautiful kid screaming poopiekaka over and over and over again in a public place to the point you actually consider pretending you don’t know him. (I know you did this, Mother!)
About the real life that real kids live with their real imperfect parents.
It’s wonderful superhero terrific.
It’s overwhelmed flooded and berserk with emotion.
And amazingly, it’s both of those in the span of ten seconds.
We are our emotions.
We smile and giggle and laugh with joy.
But we also scream and cry and throw our toys.
Kids lit can provide a safe glimpse into this nitty gritty mess.
And in the comfort of our snuggle spot, we can rubber-neck at others’ missteps.
We can problem solve, we can hug and apologize, and we can attempt in our next collision to be a little bit better.
That is poetic.

I am tired of pretty, lyrical, thought-provoking theatre. 
When I’m sitting elbow to elbow in a dark theatre,
I want what television and film and a book and poetry can’t deliver. 
When the actor spits with fury, I want to feel the spittle. 
I want to smell the sweat.
I want to taste the bile.
I want my blood to boil. 
And I want to feel too overwhelmed after the experience to speak. 
This, to me, is the power of live theatre. 
It’s ugly.
It’s furious.
It’s mind-altering. 
It creeps into my thoughts long after I’ve gone. 
And it makes me see the world in a new way.
That’s why I write plays.
I write plays about obsessive, anxiety-ridden, fast-talking freaks.
I don’t write history plays.
I don’t write sitcoms. 
I hate Shakespeare.
But I love confusion.
I love to watch people flail with passionate intention.
I love to watch them lie.
And injure.
And fail.
And then get back up and try again.
This is life.
It’s an ugly, furious, beautiful mess.
And it’s all about the love, stupid.